A hard drive with at least 350MB of disk space.A color monitor with at least 1024×768 resolution.Mac OS X 10.7 (Lion) or newer, or Windows 7 SP1, or Windows 8.1, or Windows 10. More than one show file can be open at a time.New standard colors choose list and color swatches on the worksheet.Complete history of all changes, with flexible rollback options.Global search across all worksheet columns.Completely rethought and enhanced worknotes.Share files and worknotes via network and built-in email.Worksheet reconciliation compares and synchronizes show files. ![]() ![]() A busy production electrician can print as many as 60,000 labels per year! Lightwright 6’s built-in label design and printing features will cut hours from the time it takes to create and print labels, utilizing a built in Avery label databaseįeatures Lightwright/Vectorworks Data Exchange, an easy way to share data with Vectorworks Spotlight. To organize their shows and to provide easy identification of gear, production electricians carefully label everything, including lights, cables, breakouts, power supplies, dimmer racks, and data distribution gear. Lightwright 6 has dozens of other new features for lighting users, including a built in label maker. Lightwright 6, for the first time, fulfills a longtime industry dream of controlling the flow of lighting data from design to console without needing to enter data multiple times by hand, while documenting up to 45,000 universes of data. Knowledge of Microsoft Office Suite, Adobe Suite, Final Cut Pro, VertorWorks, Lightwright,AutoCAD, QLab, and other theater related software.Lightwright is an iconic industry standard on Broadway and in other areas of live entertainment, and was created to help designers and electricians record and keep track of the vast amount of data needed to install and maintain a lighting installation.Īs the lighting world has increased in complexity due to the proliferation of moving lights and LEDs, the organizational demands on lighting designers, design assistants, and electricians has continued to grow. Require demonstrated ability to work effectively in a collaborative environment. Require demonstrated significant experience with and detailed knowledge of current audio technology, wireless microphone setup/operation, and communication systems. Require demonstrated understanding of sound signal flow, troubleshooting and equipment repairs skills. Require demonstrated working understanding of the operations of carpentry/rigging, lighting,projection, props and costumes. Require demonstrated ability to read, interpret, and implement from designer drawings with experience in mixing large scale musicals, and orchestras. Require 5 years of experience mixing, recording and reinforcement of theatrical sound at a professional or educational performing arts center. Degree requirement maybe substituted with equivalent work experience. Require Bachelor’s degree in Theatre Design, Sound, or a related field. Work independently and/or collaboratively as appropriate in a fast paced rapidly changing environment to achieve goals. Supervise, train, and mentor student and part-time crew, including providing safety/use training related to all equipment of the PACE. Use creative problem solving and current best practices to for theatrical solutions as needed. Specify audio equipment purchases as needed and collect initial bids from vendors. Maintain a current and accurate sound equipment list providing production manager a yearly update recommending repairs, replacement, and removal. ![]() Stay up to date on best practices for rigging and safety. ![]() Stay current on understanding and maintenance of theatrical sound related gear including: Q-Lab, sound consoles, digital audio consoles (including Yamaha CL5), DSP's, Dante networks, Soundweb, communication systems, and video systems. Provide audio design, execution, and professional support for all events in the PACE and ancillary spaces including microphones type determination, speaker placement, outboard equipment including compressors, limiters, effects processing, console set-up and operation. Participate in all production meetings, show load-in and strikes, and technical rehearsals in the PACE, Studio Theatre, and supporting facilities (with the expectation of working evenings and weekends). Run and maintain sound design after show opening including troubleshooting, speaker check, preparation for upcoming shows, general clean up, and maintenance and equipment repair. Design sound and provide paperwork for Signature Symphony, student ensembles, and other groups as needed.
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